‘CLIMAX’ Review

Gaspar Noe’s newest film Climax has been described as a Step Up movie turning into a horror film. This is as much information I had before seeing the film. While that’s not at all accurate it’s a fun short hand.

[AdSense-A]

In 1996 a French dance troupe gathers in an old, remote boarding school. On the last night the group celebrates with a party featuring a seemingly never ending supply of sangria. As the DJ keeps spinning and the members keep dancing, the tension rises in the room. Erratic behavior explodes into violence. Quickly they figure out the sangria has been spiked. Hidden desires and unrequited feelings are acted upon. And things will only get worse.

Climax is a choreographed descent into Hell. The majority of the film is presented in long takes. Including the incredible opening ten minute dance number that is one continuous shot. The energy from the cast of mostly non actors is contagious. The music is nonstop during the film. But as the drugs take hold the camera stalks the characters walking the hallways of the school. During the third act the camera flips upside down and stays there until the end. Trapping those writhing on the floor seemingly on the ceiling.

As in Noe’s previous films, his view on humanity is pretty bleak. This dance crew is young and diverse representing the future of France. But as soon as everyone is dosed their microcosm of civilization comes crashing down.

What didn’t work was the framing of audition tapes played as character introductions. The tube TV on which they’re played is lined with some of the Noe’s favorite films and books. It’s too on the nose and congratulatory. The idea that madness lies just below the surface has been explored before. But 30 minutes of people screaming with strobing lights becomes a bit long in the tooth. Perhaps that’s the point. The madness should be uncomfortable.

Climax is Gaspar Noe’s most accessible film. Fans will find his somber view of humanity in spades. The cast of professional dancers excel on the floor but struggle with the dramatics of a scant screenplay. I’m not sure if this film would convert anyone who isn’t a fan.