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St. Louis: Explore the Films of David Lynch this August – October

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Many people discuss David Lynch‘s films by describing them as bizarre or absurd and void of any rational explanation or meaning at times.  While that’s certainly one way to look at them, other people might see a filmmaker exploring the dark underbelly of society.  There’s a particular fascination for unearthing hidden secrets found in many of Lynch’s characters that makes each of his films intellectually stimulating while also existing as a lurid nightmare.  The Montana filmmaker can just as easily be described as an artist more so than just simply a director.  Over the years Lynch has focused his time on as many short/experimental films as his feature length projects while still avidly painting (which he originally studied before film), composing new music (he just released the album Crazy Clown Time this year), and owning a nightclub/bar in Paris.  Ambitious doesn’t even begin to describe David Lynch – eccentric would be another fitting adjective though – and his years spent as a Hollywood outsider.  Aside from a brief stint at the helm of the critical and commercial failure Dune and a near miss as the director for the then final Star Wars film Return of the Jedi (YES! He even met with creator George Lucas before running from the project), Lynch has isolated himself from what is considered the “studio norm.”  Even so, his films have earned several awards and nominations over the years with the most recent being a Best Director nomination at the Oscars in 2001 for Mulholland Dr.  Thirty five years after Eraserhead became a word-of-mouth midnight hit in Los Angeles, critics and filmgoers are still discovering the film and attempting to decipher the hidden meaning behind such things as what exactly is wrong with that baby and why is there a singing woman in a radiator.  In 1977, audience members were given buttons that said “I saw it,” with the iconic image of Jack Nance adorning it as a promotional item for the film.  Even though you won’t be able to receive these buttons, you too can discover Eraserhead on the big screen along with several other classics from David Lynch in the months ahead.

“Everything is Fine: The Films of David Lynch” will be presented through the Webster Film Series every Thursday at 7:30 beginning August 23 through October 11.  All of the screenings will be held on the campus of Webster University in the Winifred Moore Auditorium at 470 E. Lockwood.  The schedule of films and their dates can be found below.

For more info, check out the Webster Film Series website HERE.

 

August 23 – Eraserhead

August 30 – The Elephant Man

September 6 – Blue Velvet

September 13 – Wild at Heart

September 20 – Twin Peaks (original pilot)

September 27 – Twin Peaks: Fire Walk With Me

October 4 – Lost Highway

October 11 – Mulholland Dr.

 


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Author: Michael Haffner View all posts by
Somewhere between growing up on a steady diet of Saturday morning trips to the local comic-book shop, collecting an unhealthy amount of action figures, and frequent viewings of Ray Harryhausen and Hammer Horror films, came forth a nerdy boy that was torn between journalism and the arts. In high school, Michael found himself writing a movie column for the school newspaper. Yet, he went on to get a BFA in Studio Art at Webster University. The battle between these two worlds has finally ceased with his current position as Managing Editor for DestroyTheBrain.com. When not writing about films, you can still find him discussing classic horror, collecting action figures, and reading Batman. Clearly, not much has changed.
  • Conrad99

    Sounds really cool. Does Webster have a nice theater?

    • Michael Haffner

      The Winnifred Moore Auditorium is quite unique and different in the sense that it used to be a church. Webster University used to be a religious school back in the day for women who were taught by nuns and priests. Although it doesn’t really look exactly like a place of worship anymore, it still has the vaulted ceilings but the wooden church pews have been replaced with theater-style chairs. There’s a large screen that drops down in front of the stage. I actually saw the St. Louis premiere of David Lynch’s ‘Inland Empire’ there some years ago. It’s an interesting environment that brings a wide variety of people since the program has been around for so long.